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The Gun Club - In Exile
Mother Juno, Pastoral Hide and Seek, and Divinity folded into a single disc.
Probably a better listening experience than any of those records individually.
The first 6 tracks (from Mother Juno) were produced by Robin Guthrie from The Cocteau Twins.
Our Love Will Destroy the World - Goddess of Ten
limited CD-r of 50
noisy
you know you need more noisy stuff
Birchville Cat Motel - Long Vanished Spirals
CD-r compilation of lathe cut A-sides from 1996 to 2000
"If you deliver one note with the right attitude, it will do more than 60 notes with no attitude."
Back Door- 8th Street Nites
another one from this fusion trio
not as good as the debut
but that's not a slam
it's quite good
Barnes & Barnes - Voobaha
Fish heads, fish heads
Roly-poly fish heads
Fish heads, fish heads
Eat them up, yum!Robert Haimer and Bill Mumy got together as Artie Barnes and Art Barnes to form
Barnes & Barnes, one of the finest novelty acts of the late 1970s and 1980s.
This is their first album.
It is ridiculous.
If you enjoyed Crispin Glover's
bizarro record, then you should check
Voobaha out.
B&B produced Glover's record.
Chubby Checker - Chequered
For fans of:
• Electric Mud
• This is Howlin' Wolf's new album. He doesn't like it. He didn't like his electric guitar at first either.
Chubbs, known best for The Twist, cut a psychedelic blues record in 1970. Orginally released only in UK, just about no one heard it.
It's better than you think, but not as good as the two records listed above.
BS2000
Adrock dicks around with his
EMU SP-1200.
Sort of a prelude to
Hello Nasty.
The Dirtbombs - Need You Tonight 7"
Collins & co. cover INXS.
Great and better than the originals.
Back Door
•Colin Hodgkinson bass
•Ron Aspery sax, flute
•Tony Hicks drums
This is THE electric bass guitar record.
Hodgkinson pulls out the whole bag of tricks. He slaps, snaps, pops, strums, picks, fingers, and hammers- often in the course of a single track. The group is free of other chordal instruments (or middle range instruments like vocals or electric guitar), so the bass man fills the spaces out with as much as he can. And he can fill it with ease. Put away your Pastorius records (record?) - dude was always more of a sideman, anyway - this is full-on, blues-based lead bass. And it's exactly as awesome as you always hoped it would be. Listen for the parts where he teases Chic-Nile Rodgers rhythm guitar out of his strummed bass.
Bass aside, the drums are tight and the sax is skronky.
By the way, The Beastie Boys sampled this record. You won't miss it.
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